Need a good photo of your work?
click to download Tips For Photographing
Your Artwork by Bob Cherry
Get good photos of your art...even after they have glass! My husband has written an article for anyone to use and says, "feel free to make copies of this article for friends." Bob is able to get a clear image with no glare on either oil paintings or glassed pastels using this technique. Mary Ann Cherry
Trouble downloading? The pdf file should print well. If you have trouble opening it, download a new copy of the free Adobe Reader.(click to download) Make sure to actually install it after downloading or you wasted your time.
on packing paintings to ship Click
Also visit the article on the Oil Painters of America site HERE
|Need a slide ASAP of a digital image?
Replicolor in Salt Lake City will send you one within three days with the image surrounded by black...perfect for show submissions still requiring slides.
|Visit this link for
TERRY LUDWIG'S GREAT ARTICLE ON PASTEL
|Cherry Pastel Cleaner
- available HERE-
Need a model's release form? Click here
- Need film to cover the glass on your painting before you ship? It prevents damage to the painting in case of breakage and peels off once the piece arrives. Visit the Airfloat company for the product called "glaskin" HERE
LEARN ABOUT DRY PASTEL
Pastel is pure pigment, the same pigment used in making all fine art paints. All top quality pastel brands are permanent when applied to conservation ground and properly framed. Pastel that has not been sprayed with fixative contains no liquid binder that may cause other media to darken, yellow, crack or blister with time. Pastels from the 16th century exist today as fresh as the day they were painted.
The pure, powdered pigment is ground into a paste with a small amount of gum binder, then rolled into sticks. The infinite variety of colours in pastel range from soft and subtle to strong and brilliant. The word pastel, in this case, does not refer to “pale colors” as it is commonly used in cosmetic and fashion venues.
An artwork is created by stroking the sticks of dry pigment across an abrasive ground, embedding the color in the “tooth” of the paper, sanded board, canvas or other support. If the ground is completely covered with pastel, the work is considered a pastel painting; a work with much of the ground left exposed is termed a pastel sketch or drawing. Pastel is sometimes combined with watercolour, gouache, acrylic, charcoal or pencil in a mixed-media painting, but it is not compatible with oil paint. The individual particles of pastel reflect light like a prism. No other medium has the same color power.
Edgar Degas was the most prolific user of pastel and its champion. His protégé, Mary Cassatt, introduced the Impressionists and pastel to her friends in Philadelphia and Washington, and thus to the USA.
Today, pastel has the same stature of oil and watercolor as a major fine art medium. Many of our most renowned living artists have distinguished themselves in pastel, enriching the art world with this beautiful medium.